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CALENDAR

31 Oct.(Deadline)
Pen Scrappers Contest
10-13 Dec.
Siggraph Asia 2008 (Singapore)

 
Wacom Community Featured Artist of the month
Wacom Community Featured Artist of the month
  Self portrait, Gav Stevenson
 

 

Name: Gav Stevenson
Country: Australia
Website: http://www.no-rain.com/
Wacom Tablet: Cintiq 12WX

 

 

Gav Stevenson is an independent animator and Visual Arts/Design Technology/Film Instructor at the Queensland Academy for Creative Industries. Focusing primarily on 2D character animation, his accolades include MIAF 2007 ("Drained"), Reelmad Fast film festival (Panelist), and Liquid Lens 2005 (winning entry "Drained"). We talked to this inspiring mentor to so many young artists about being an independent artist and filmmaker.

 

   Interview with Gav Stevenson
 
 
 

1 . When did you start your career as an animator? Who has influenced your artwork?

 

I've been drawing since I was in the womb, and as a consequence, I revert to visual ways of communicating all the time. Drawing really is at the heart of all of my art practices? which vary greatly. Being able to describe 3 dimensional shapes on a piece of paper is a very important skill in so many fields. Stylistically, I'd say that I have been heavily influenced by Glen Keane (lead animator, Disney), Chuck Jones, Mike Mignola, Egon Schiele and Edward Gorey.

 

 

 

 

 

2 . What do you teach at the Queensland Academy for Creative Industries?

 

At the Queensland Academy for Creative Industries, my role is to instruct ready minds in the creative fields of Design and Technology, Visual Arts and Film. Decent drawing skills can benefit production in all of these areas, and students are encouraged to be constantly getting their ideas down into visual journals. I don't get upset at students for doodling or sketching in class. I like that.

 

 

 

 

 

3 .What kind of advice do you give aspiring artists there or anywhere?

 

My philosophy is that all one needs to be able to draw well is an interest and commitment to practice. I heard somewhere that a person might have one thousand lousy pictures in them. Resolve to get them out of the way as soon as you can. Draw heaps. Being able to draw and observe will assist in many avenues of life -- business (info on clients can be observed through body gestures), personal (drawing can be a great for stress relief and can lead to new friendships), and expression.

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  Red Tshirt

 

 

4. Are there any art trends that interest you at the moment?

 

At the moment, there is a fast growing visual art movement: speed painting. I love it. There is challenge and aesthetic consideration, and the resulting media clips are pretty exciting and informative. It shows that process is just as important as product? how you got there is as valid as where you went. It's a very exciting time to have a graphics tablet.

 

 

 

 

  Runn
 

5 . Any current projects?

 

I continue to make short animated films in my spare time. I've almost finished my latest film: Edgar Allan Poe's 'The Raven', which is a psychological exploration of a literary classic. It is a huge stylistic departure for me, but it is paying off. I'm able to hand-ink the images needed with the Cintiq 12WX, which gives it a real textured hand-made quality that is so important in our digital age. I find the Wacom tablets to be a great tool in the pursuit of my art, which stretches from the traditional and messy into the digital and precise.

 

 

 

 

  Sphinx
 

6 . What subject do you find is the most challenging to illustrate?

 

I'm a figure artist predominantly, so landscapes and architecture challenge me quite a bit. I actually find those subjects a bit dry, so I haven't yet explored in those areas much. People, animals and characters are much more interesting to me.

 

 

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7 . Where, for you, is the perfect location to draw?

 

The best place for me to work is at the kitchen table. I like being around my family, so I just dump all my gear on the table and work there. Digital art is mess free, so I don't even have to wipe up or worry about spilt paint. I also draw on the train quite a bit. Public transport provides me with countless variation in terms of models, and I've become a bit of a ninja at drawing people without them knowing that I am drawing them. The people I draw on the train give me practice and a great bank of visual info to use later.

 

 

 

 

8 . Are there any animated films out there that have truly impressed you?

 

I am a huge Brad Bird fan. I think he is using film to really make a difference. So any I love anything by him. I also follow Hayao Miyazaki's work, and find so much content in his films. For short animated films, one of my favorites is Jiri Trnka's "The Hand". It's a short stop-motion film from Socialist Czechoslovakia. Very powerful yet simple. Michael Dudok de Wit, from Holland, made a fantastic film called "Father and Daughter" which I feel is the pinnacle of short animated film.

 

 

 

 

 

 

9. What is the difference between being an independent animator and working for a big studio? What does it take to be independent?

 

  Night

To be an indy animator, you need to be resourceful. Friends and family become production crews, and a lot of favors are owed. It also takes a very understanding and supportive family. One of the main differences that I've identified is the freedom to use your own voice, instead of drawing and animating what you've been told. I find I can make films about things that I want to talk about. I think 'story' is the most important element in film-making, and in industry, that is often compromised due to financial considerations. An indy needs a voice and, more importantly, something to say with it.

 
 

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